Young Thug - JEFFERY

In hip-hop, your influences are almost like your gods. They are the foundations of what came before you, and the reason that you can flourish in the industry today. Young Thug pays homage to his idols in his new mixtape, JEFFERY. Most tracks are named after someone he has idolized, making the album feel like a dedication record.

JEFFERY sees Young Thug tackling some of his most diverse work. All tracks (barring the conclusion track) is named after someone he has idolized or worked with: the album begins on 'Wyclef Jean', dedicated to the Haitian rapper (who actually has a feature later on the record), and channels Wyclef's reggae roots. The track is fun and features a lot of Caribbean elements. Wyclef Jean features later on the record on the album in 'Kanye West' (previously titled 'Elton John', 'Wet Wet', and 'Pop Man'), which feels like more of a glorified Kanye track than anything else. 'Guwop' praises the roots of trap music - another track shouting out the originator of a genre - being a praise of fellow rapper Gucci Mane. The track is a pretty chill one, if not a bit silly.

Young Thug sends some love to some of his peers, too. Despite his past beef with him, 'Future Swag' is dedicated to the man himself, Future. Despite how sick I am of Future being literally everywhere this year, this does sound like one of his better tracks. 'RiRi' is a nod to Rihanna, and is just about as annoying as 'Work' is - Thugga literally sounds like a seal throughout this track. A nod to producer Swizz Beats is found in the track named after him, but the track sees Young Thug singing and it just doesn't fit too well.

How could this album be complete without memes? There are a couple of songs dedicated to pop culture references, the first of which is 'Floyd Mayweather', the boxer who rose to fame in a major match earlier this year. It's hard to tell if this track is a slam at him or a celebration of him - the boxer is known to have been in cohorts with Young Thug in the past, almost signing to his record label. He didn't in the end, and the song is all about the living a life in luxury. Of course, the album has a shoutout to the current meme phenomenon 'Harambe', and while the title is relevant, the song doesn't really say much about the controversy of him in any form (gun control, animal rights, etc.) and is nearly downright annoying with all of the ad libs and raspy, yelled vocals. The instrumental is phenomenal, though.

There are some great instrumental moments on the record. 'Webbie' has a very dramatic and almost pretty soundscape, taking turns between pulsating synths and a ringing beat and a refined beat behind sweet piano. The final track 'Pick Up The Phone' with Quavo has the best relationship of instrumental and vocals on the record. The song is credited as being a collaboration between both Thugga and Travi$ Scott (he basically just does the ad libs - he has a verse on 'Floyd Mayweather' that will satisfy his fans more). The vocals and instrumental flow as a pair; the track has a punchy and almost aqueous synth that compliments the vocals almost perfectly. It becomes a grander, richer synth that follows a dark progression to end out the album on, almost abruptly. The ending could've been more fulfilling, but it's definitely suitable.

Young Thug may have his reputation in hip-hop, but he's well aware of what, and, more importantly, who brought him there. JEFFERY is a dedication album, a mixtape consisting of tracks named after his idols and peers. It also feels like it's his own personal statement, a mark that puts his name down in history. The mixtape's title was originally No, My Name Is Jeffery, as if to say that we should be looking at who he is, rather than his name. It's a humble album, perhaps not his best work, but certainly some of his most important.

Favorite Tracks: Pick Up The Phone, Wyclef Jean, Webbie

Least Favorite Track: RiRi

Rating: 72

Drake - Views

Somber summer vibes is what Drake’s Views is filled to the brim with. His signature good-boy flow couples nicely with over an hour of material found on the new album, but it does become a bit stale after awhile. Views was promoted as if it were his magnum opus, but it is far from it.

The album’s beginning is promising, ‘Keep The Family Close’ setting the late night, dreary scene of a lonely summer. The track may be a tad overdramatic, but it’s orchestration guides the verses into big brass punches near the middle that bring it to a new level of groove. ‘9’ follows up, falling short in that while the flow is good, it seems to lack any purpose. ‘U With Me?’ has a similar issue. Drake’s dreary images with this album are accentuated with songs like ‘Weston Road Flows’, a track with a great instrumental and good flow, while maintaining that somber feeling of walking through rainy streets alone. The song is another to feature the random, anticlimax of a jet engine sample. Several tracks have it tacked on to the end, building into nothing. Lots of tracks have a darker side to them, especially in the beat. ‘Hype’ and ‘Pop Style’ in particular having some dark vibes. There are, sadly, some complete failures of songs on the record, too. ‘Childs Play’ is almost facepalm worthy. ‘Fire & Desire’ feels boring and uninspired, especially being tacked onto the album that has repeated the same theme and flow through and throughout over the course of it’s 81-minute runtime. A lot of the tracks on the album fall into the average spectrum, such as bonus track and viral sensation ‘Hotline Bling’, that at the end of the record is a slight splash of new color but still doesn’t give the album what it needs: substance.

Half of the guest spots on this album feel wasted. Some, characteristically so, though. The PARTYNEXTDOOR collab ‘With You’ is a throwaway track, and the follow up ‘Faithful’ featuring Pimp C and dvsn is no better. Two of the stand out tracks, on the record, however, are highlights on the record. ‘One Dance’ with Wizkid and Kyla has a Spanish flair and generally good vibes, and ‘Too Good’ featuring Rihanna is one of the most down-to-earth and emotional tracks on the album. That’s the sound of hip-hop love. Surprisingly, the Future guest spot on ‘Grammys’ isn’t completely trash. It’s actually pretty good, which was a treat for someone who’s sick of him. 

Drake built Views up to be a massive summer banger, but instead made a chill, late-night drive through the city kind of album. The album isn’t inherently bad, it just lacks any meat. It’s full of fillers and light tracks, all similar in theme and flow that eventually becomes bland, with flashes of brilliance in between. There’s no meat in this album, just a single monotone feel. Drake lived up to the sound his cliché is, but failed to prove it wrong. It’s not a bad album, it just needed a proper direction that Drake just couldn’t latch onto.

Favorite Tracks: Too Good, Hype, One Dance

Least Favorite Tracks: With You, Childs Play, Faithful, Fire & Desire

Rating: 7.5/10

1st Quarter Of 2016 in Music - Wrap Up

2016 is off to an extremely strong start. Here’s just a list of all of the new albums I’ve listened to from January to March and links to reviews, if applicable.

Doing it a bit different this time, doing it by rating, from greatest to worst. Alphabetical just seemed trivial.

5-Star Albums (8.5 - 10)

4-Star Albums (6.5 - 8)

3-Star Albums (4.5 - 6)

2-Star Albums (2.5 - 4)

  • Killswitch Engage - Incarnate: 4
  • Cozz - Nothin Personal: 3.5

1-Star Albums (0 - 2)

  • None! :D

 

Top Albums Of 2016 (so far)

  1. AURORA - All My Demons Greeting Me As A Friend
  2. Panic! At The Disco - Death Of A Bachelor
  3. Deftones - Gore
  4. Dream Theater - The Astonishing
  5. Foxes - All I Need
  6. Daughter - Not To Disappear
  7. Lacey Sturm - Life Screams
  8. HÆLOS - Full Circle
  9. Weezer - Weezer (White Album)
  10. LIGHTS - Midnight Machines

Top Songs Of 2016 (so far)

  1. AURORA - 'Murder Song (5, 4, 3, 2, 1) (Acoustic)'
  2. Panic! At The Disco - 'Emperor's New Clothes'
  3. Deftones - 'Hearts/Wires'
  4. Foxes - 'Better Love'
  5. Lacey Sturm - 'Rot'
  6. AURORA - 'Through The Eyes Of A Child'
  7. Deftones - 'Phantom Bride'
  8. Dream Theater - 'Moment Of Betrayal'
  9. Daughter - 'New Ways'
  10. Jack Garratt - 'My House Is Your Home'

Thanks for reading my reviews and following! :) A lot more to come, I’m nowhere near stopping. Follow me on Twitter or add me on Facebook too, while you’re at it.

Rihanna - ANTI

Pop’s true rebel queen is back. After a four year gap since UnapologeticRihanna has returned with her next studio album that embodies the sensualities of life. ANTI, while released under unfavorable circumstances, to say the least,  is here and is full of pop bangers that will definitely blow up the airwaves.

The album begins with the groovy ‘Consideration’, a nostalgia-inducing track with an accompanying lo-fi, almost 8-bit beat backing it and groovy bass line. This track really sets the stage for Rihanna’s attitude exhibited in most of this album, and introduced the central subject of many tracks: love. Rihanna has a very calm yet somewhat tired - or annoyed - demeanor behind it. Another highlight track is ‘Desparado’, the most badass track on the album. Instigating a cowboy vibe tinged with the soundscape of a rich man’s hotel, this song serves as the biggest track on the album, making the most of its relatively intimate sound. There’s not much going on it - background harmonies are subtle, the percussion isn’t anything flashy, the bass line following the deep piano chords. What makes this track so huge is its HUGE bass and Rihanna’s brooding lyrics (”If you want, we could be runaways / Running from any sight of love / Yeah, yeah, there ain't nothing / There ain't nothing here for me / There ain't nothing here for me anymore / But I don't wanna be alone”). The final quarter of the album features some stand out tracks. ‘Never Ending’ is the acoustic ballad that movie trailers will eat up, beautifully featuring a lovely vocal performance from Rihanna and a largely simple track that builds up ever so slightly to keep the track flowing by the end. The instrumental for ‘Love On The Brain’ feels like it was taken straight from a Beatles song and plastered with synths. Rihanna channels here inner Sia and delivers some of her best vocal work on the album. The accompanying orchestral punches and gospel influences add a lot of color to the track, too. The symphonic Sia sound is evident on ‘Higher’, as well. The closing track on this album, ‘Close To You’, is the most stripped back on the entire record, and features only Rihanna backed by piano, eventually resolving with an orchestra and acoustic guitar, and is one of the most beautiful tracks on the album - an excellent closure to an album centered around love.

This album, however, does have it’s weak points. The three track run form ‘James Joint’ to ‘Work’ is the lowest point of the album. ‘James Joint’ seems to rip off Flying Lotus, and the lyrics sound like a confused teenager wrote them. ‘Kiss It Better’ is horribly cliché, straight out of the 80s. While it is admittedly catchy, it has no real substance to it that would separate it as a song of its own. ‘Work’ also isn’t bad on its own, but the Drake feature feels wasted with an uninspired first and repetitive lyrics.

Rihanna’s ANTI definitely has a powerful message to deliver - girl power. Love isn’t just a man’s game. Rihanna makes this evident throughout the album, singing of desire and passion. The album starts strong but immediately falls off, only improving in the latter two thirds of the album, and in a big way. The rebel queen is set to make her mark on 2016. These songs will be all over the radio.

Favorite Tracks: Desperado, Never Ending, Closer To You, Consideration (ft. SZA)

Least Favorite Tracks: James Joint, Kiss It Better, Work (ft. Drake)

Rating: 7/10

 

Top Albums Of 2016 (so far):

  1. Panic! At The Disco - Death Of A Bachelor
  2. Daughter - Not To Disappear
  3. David Bowie - 
  4. BANNERS - BANNERS
  5. Savages - Adore Life
  6. Rihanna - ANTI