Loscil - Monument Builders

Electronica goes a long way with minimalism. Loscil's eleventh record Monument Builders digs into more ambience from the project while still maintaining some urgency and darkness.

Loscil has crafted a lot of soundscapes over his decade-spanning career, and Monument Builders takes them even further. It begins with the barren 'Drained Lake,' the track's sound very much following the theme of the title. It's a empty, expansive track with gentle piano synths sounding above ambience. It's as empty as you'd imagine a drained lake to be - the song makes you feel like you're standing in the crater of a body that once existed. 

Atmosphere is the draw of 'Straw Dogs,' as well. Horns croon hauntingly above the urgent ambience, a beat rising as if a fiery star swallows the horizon slowly as it rises. This is perhaps one of the most eventful tracks on the record, attributable to its cinematic and tense vibe. 'Red Tide' is another more energetic track, the bassy synth swelling in contrast to the ethereal synths of the background.

'Anthropocene' combines the elements of both songs together into one brooding experience: the bass synths swell and pound as the ethereal synths create a very abyssal mood. It's creepy and spacial, but provides a lot of interesting imagery and mood to the record. That latter of which is the backbone of the record: title track 'Monument Builders' provides wobbly textures that give the album a bit of energy, while 'Deceiver' provides some gentle and more soothing soundscapes.

Loscil's new record may not be the most challenging nor invigorating, but it certainly does what Loscil does best: create some scenery. Monument Builders channels barren landscapes and full, brooding settings all the same. It's a solid record - nothing groundbreaking, but certainly nothing to scoff at.

Favorite Tracks: Straw Dogs, Anthropocene

Least Favorite Track: Monument Builders

Rating: 70 / 100

Eluvium - False Readings On

Ambience is a beautiful thing. It is often said that nature's noise is the Earth's music, and that's very true. Ambient music is something thought-provoking, often times in emotional ways. It's simplistic, yet in all of its sonic soundscapes it invokes something within its listener.

Eluvium's newest record False Readings On is a masterful collection of drone and ambience. It's not complex but it says all that it needs to be creating beautiful imagery in its minimalism. The album shows his mastery of noise and his ability to create brilliance out of almost nothing.

People who don't like ambience music either don't understand its capabilities, or simply are finding the wrong examples of it. False Readings On shows the brilliance that ambient and drone music can do. It gets off to a peaceful beginning with 'Strangeworks' before diving into 'Fugue State', a slow-moving, churning track that reminds me of the innerworkings of a machine. It has that somber, black and white factory vibe within it that puts you in a cold, foggy winter's day. 

Some tracks aren't so much setting as they are putting you into a certain state. 'Movie Night Revisited' is a calming and nostalgic track - it seems to try and put you into the place where you can relive a close memory. It's followed by 'Beyond The Moon For Someone In Reverse', which then sets you into the scene of a foggy day at sea - a perfect place to reflect quietly to yourself. Nothing's around you, no one near you. It's just you and your thoughts in the middle of an endless beyond. 

The album's ending is where it feels closest to heart. 'Rorschach Pavan' feels slightly more positive than much of the rest of the record, with rich synths and layered punches of sweet noises build into a beautiful, warm texture. 'Individuation' follows up as one of the most sweet tracks on the record. It's simply just piano playing in the rain. It's a simple song, no tricks or strings attached to it. Its brilliance comes in that bittersweet feeling that comes with the rain and the innocence of the piano. Midway through the track, quiet footsteps can be heard as faraway brass accentuates the track. The album ends on 'Posturing Through Metaphysical Collapse', a song that ends the album with a sort of peaceful chaos. It begins in an operatic way, and eventually starts breaking down into a scathing white noise, as if it was collapsing in on itself. Then finally, when the song has finishing imploding within itself, it ends as calmly as it began, and the album is over. 

Eluvium's on his eighth album now, and yet his quality hasn't faltered a bit. False Readings On isn't a masterpiece, but it's a powerful record and will hit you. Each song isn't a wallowing wall of noise, but rather simplistic concoctions of emotion and scenery. It's proof that drone music isn't just noise - it's art.

Favorite Tracks: Individuation, Rorschach Pavan, Movie Night Revisited

Least Favorite Tracks: Drowning Tone, Washer Logistics

Rating: 70 / 100

Message To Bears - Carved From Tides

A good ambient album will take you places. Some albums will take you to some place fantastic and mystical, while others can take you on a late night stroll through the forest or a late night through the city. Message To Bears' fifth record Carved From Tides is like a snow-ladden travel through the unknown. You don't know where you're headed, but it's certainly chilly and full of wonder.

This album has tracks that are simply beautiful. 'Spin-Float' features sweet, rich acoustic guitars on top of atmospheric synths that fill the track with a warm glow, and guest Gemma Alexander sings enchantingly over it. 'Breathe' is another beautiful track, shining with the same kind of dreamy piano vibe as Radiohead's 'Daydreaming'. What this track differs with, though is the beat that churns with the ever growing track. It builds in an almost epic way, as the instrumental becomes ever-more encompassing with its crystalline piano and sampled vocals. 'They Ran' is much the same, in a different way, though. The track features effected piano rather than the purer format, and focusses more primarily on growing ethereal vocal samples to make up its atmospheric vibe.

This album almost tells a story. The music flows like poetry without words. From the beginning you get the feeling of walking somewhere just before dawn with snow falling gently from the sky - the synths shimmering with the same glow and the snowflakes. You get the vibes of walking through a snowy forest in 'Blossom', while at the end with 'Hold On', rather than being a giant climax of a blizzard swallowing up the sky (surely that's not what you expected, though), you can feel the snow slowly trickle off into a gentle flurry as the first streaks of light breaks through the grey clouds. It's a very warm feeling you get at the end of this record; that's not to say that the album is otherwise cold and unwelcoming - well, it will give you chills, - but it feels like your experiencing a faraway familiar emotion. 'When You're Gone' seems to personify that emotion, speaking of ghosts in a distant way, as if it haunted the narrator until this sort of revelation. It's hopeful. It's interesting - you can't quite put a finger on exactly what the emotion is, perhaps nostalgia or one of its offspring, but it certainly feels lifting.

Message To Bears creating an ambient masterpiece. A lot of the tracks do work better in context of the album's consecutive poetry rather than standalone items, but as one start-to-finish piece, it's a fantastic listen. It gets slow at parts - which is what adds to the standalone argument - but it can be forgiven for that at its emotional climaxes. It's like a fine diamond that's not quite so perfect. It's cracked with the stories of a lifetime, that story being told through the music of Carved From Tides. Ambient album of the year goes to this one.

Favorite Tracks: Breathe, Hold On, Blossom, When You're Gone

Least Favorite Track: I'll Lead You There

Rating: 84 / 100